Her early compositions collected on her first solo CD, blow pioneered a new approach to the flute — percussive, noise-filled, microtonal, sometimes aggressively physical, and light years away from the traditional image of the instrument. Technically, she worked with new lip techniques, breathing, and use of the microphone, developing the amplified flute as an instrument in its own right. In , together with the drummer Steve Heather and the synthesizer player Cor Fuhler, she founded Kraakgeluiden, a improvisation series based in Amsterdam, exploring combinations of acoustic instruments, electronic instruments and computers, and using real-time interactive performance systems. Its placing of cutting edge performance work in an informal, workshop-like setting has been highly successful and influential, and many of the musical collaborations that have resulted have taken on a life beyond the Kraakgeluiden series. We talked at her home in the east part of Amsterdam. Could you tell me a little about that? My mother is a violinist — a housewife first, but talented enough to be involved in the music scene in Minneapolis. My father was a psychology professor, a scientist; but also a choir director, and at the time in Minneapolis, in the late s and early 60s, there was no professional chorus.
Anne La Berge born Palo Alto , California , in is a flutist , composer and improviser, currently residing in Amsterdam. Her performances bring together a virtuosic command of her instrument, a penchant for improvising microtonal textures and melodies , and an array of percussive flute effects, all combined with electronic processing. She is known for her use of texts that form part of her compositions and improvisations. While pursuing PhD research at the University of California, San Diego in the mids she formed a duo with flutist John Fonville , commissioning new works and exploring extended techniques on flute, particularly with regard to microtonal scales. She moved to Amsterdam in , where she has lived ever since.
Zafira. Age: 32. The ultimate adult XXX star usually available only for traveling meetings. Services: Sex In Different Positions, Oral, Oral With Condom, Kissing, Kissing With Tounge, Cum On Body, Deep French Kiss, 69 Position, Extra Ball, Erotic Massage, Striptease, Couples, Light S/M, Toys.
Anne La Berge
Her music gathers the elements on which her reputation is based: ferocious and far-reaching virtuosity, microtonal textures and melodies, and her unique array of percussive flute techniques, all combined with interactive electronic processing and text. La Berge is a precursor of some of the important things contemporary composition has now come to mean. The Wire. In , together Steve Heather and Cor Fuhler , she founded Kraakgeluiden, a improvisation series based in Amsterdam, exploring combinations of acoustic and electronic instruments using real-time interactive performance systems. Many of the resulting musical collaborations have have taken on a life beyond the Kraakgeluiden series, which ceased in The miracle of her sound technique is supported by, among other things, different lip-positions, attacks, ways of breathing, distance from the microphone — everything has been foreseen and elaborated. Her textures are often two-voiced. Muusika, Tallin. She works regularly as an improvisation and live electronics coach worldwide in the context of residencies and private coaching.
At the core of her work lies the sound that first gained her an international reputation, paving the way for a new, more physical approach to the flute: "The miracle of her sound technique is supported by, among other things, different lip-positions, attacks, ways of breathing, distance from the microphone-everything has been foreseen and elaborated, writes Muusika. She can be heard in a range of settings from modern ballet music in the music theaters of Holland to improvised electronic music in the local squat buildings. This series has received national recognition for its adventurous programming. It has also received financial support for its third year from the Dutch government for the season. I was particularly taken by the fact that the inventors of the windshield wiper were Florence Lawrence and Mary Anderson, and I would like to reflect the relevance of why women respond to cleaning issues in such resourceful ways. The installation requires a minimum of 8 speakers of different sorts to play the text and sound samples of machines, automobile sounds, and stories about Florence Lawrence, Mary Anderson, and women automobile drivers.